Loading…
This event has ended. Create your own event on Sched.

View analytic

Log in to bookmark your favorites and sync them to your phone or calendar.

Wednesday, May 11
 

2:00pm

 
Thursday, May 12
 

6:00pm

 
Friday, May 13
 

9:00am

1:00pm

1:30pm

2:00pm

2:30pm

3:00pm

5:00pm

6:00pm

 
Saturday, May 14
 

TBA

8:30am

9:00am

9:30am

10:00am

11:00am

1:00pm

1:30pm

2:00pm

3:00pm

4:00pm

4:30pm

5:45pm

6:30pm

7:15pm

7:30pm

9:00pm

 
Sunday, May 15
 

7:00am

8:30am

9:00am

9:30am

10:00am

10:30am

11:00am

11:30am

12:00pm

2:00pm

2:30pm

3:00pm

3:30pm

4:00pm

4:30pm

5:00pm

5:30pm

6:30pm

 
Monday, May 16
 

7:15am

7:30am

8:30am

9:00am

9:30am

(Architecture) Use of Façade & Art Documentation Surveys for Historic Cultural Architecture and Art for Future Possible Restorations in Case of Disaster Room 515Battle Brown • Robert Alden Marshall (Book and Paper) Paper Tapestry: Wallpaper Preservation Room 210 AB/EFJoanna P McMann (Electronic Media) Putting the Time Base back in Time Based Media Conservation Room 513 D/FKelly Haydon • Benjamin Turkus (Emergency) Renovating the disaster preparedness plan of the renovated Rijksmuseum in Amsterdam Room 513 A/CIdelette Van Leeuwen (Objects + Wooden Artifacts) Decoys X-rayed: What Volume rad tomography and computed tomography contribute to technical study Room 710 BNancie Ravenel (Paintings) An Investigation into the Materials and Techniques in Francis Picabia’s 'La Terre est Ronde,' 1951. Room 710 AEmily Prehoda • Joseph R. Swider (Photographic Materials) Photochromatic images of Edmond Becquerel: where do the colours come from? Tracks in the understanding of the origin of their colours Room 516 CDChristine Andraud • Marie-Angelique Languille • Jean-Marc Frigerio • Bertrand Lavedrine • Edouard de Saint-Ours • Saskia Vanpeene (Research and Technical Studies) Towards Quantitative Reflectance Transformation Imaging Room 511 B/EMarc Walton • Greg Bearman • Oliver Cossairt • Xiang Huang (Sustainability) An Unexpected Challenge – Can Shared Risk Make Good Bedfellows? Room 516 ABJohn Castle • Lois Olcott Price (Textiles) A Textile Conservator's Contribution to Disaster Preparedness at the MFA, Boston Room 511 A/DClaudia P Iannuccilli

10:00am

10:30am

(Architecture) Emergency documentation and condition mapping of Decorated historic surfaces at the Caid Residence, The Kasbah of Taourirt (Ouarzazate, Morocco) Room 515Mario Santana Quintero • Claudia Cancino • Benjamin Markus • Kenneth Percy • Laurie Wong (Book and Paper) A low-oxygen capable storage and display case for the Proclamation of the Constitution Act & Design of a counterbalance supporting mount for the Books of Remembrance Room 210 AB/EFEric Hagan • Michael Smith • Anne Maheux • Christine McNair (Electronic Media) Slow Dissolve: Re-presenting synchronised slide-based artworks in the 21st Century Room 513 D/FFergus O'Connor (Emergency) The World Goes “Pop” : Planning for Emergencies at TATE Room 513 A/CLouise Lawson • Deborah Potter (Objects + Wooden Artifacts) The Aftermath of Mends: Removing Historic Fabric Tape from Tlingit Basketry Room 710 BCaitlin Mahony • Teri Rofkar (Paintings) The life of modern painted walls: ethics, emergencies, and the future Room 710 ARustin Levenson • Veronica Romero-Gianoli • Oliver Watkiss (Research and Technical Studies) Infrared Imaging of Art Objects: Is It as Easy as It Sounds? Room 511 B/EThomas Tague (Sustainability) Sustainable Preservation on a Small Island – Interdisciplinary Approaches to Passive and Mechanized Environments Room 516 ABRonald Harvey • Jeremy Linden • Jennifer Pye (Textiles) Vial Things: Preserving the Unexpected in the Occult Jewelry of Simon Costin Room 511 A/DSarah Scaturro

11:00am

(Architecture) Bracing Copan’s subterranean tunnels against hurricanes and other risks Room 515Laura Lacombe (Book and Paper) Push pins, staples, daylight, glazing and barrier free - are Conservation standards becoming too relaxed? Room 210 AB/EFJoan Weir (Electronic Media) When Functionality is Everything: A case study in recovering flood damaged electronic parts from a musical instrument collection Room 513 D/FHayley Robb (Emergency) Vermont Prepares! Room 513 A/CEva Grizzard • MJ Davis (Objects + Wooden Artifacts) Encountering the Unexpected in Southeast Asian Lacquer: Treating the Doris Duke Collection at the Walters Art Museum Room 710 BStephanie Hulman • Meg Craft • Glenn Gates • Herant P. Khanjian • Michael R. Schilling (Paintings) Reconciling the Past through the Conservation of the Fresco Mural Painting: “Haitian Massacre, 1937”, by Dominican artists José Ramírez Conde and Roberto Flores Room 710 AViviana Dominguez • Hilda Abreu Utermohlen (Photographic Materials) Separation Anxieties: Approaches to Freeing Photographs That Are Stuck to Glazing or to Each Other Room 516 CDBarbara Lemmen • Emma Lowe (Research and Technical Studies) Imaging of Analog Materials and Machine-Dependent Formats Room 511 B/EFenella France • Peter Alyea • Meghan Wilson (Sustainability) Achieving Competing Goals: Implementing Energy Efficient Cold Storage Room 516 ABTom Braun • Jeremy Linden (Textiles) Assessing Collection Emergency Training and Response: The Risks of Adrenaline Room 511 A/DJacinta Johnson • Lois Olcott Price • Kari Rayner • Dr. Joelle D. J. Wickens • Anisha Gupta • Jessica Walthew

11:30am

11:45am

12:00pm

12:30pm

1:00pm

2:00pm

2:30pm

3:00pm

3:30pm

4:00pm

4:30pm

4:45pm

5:00pm

5:30pm

6:30pm

8:30pm

9:00pm

 
Tuesday, May 17
 

7:30am

8:00am

10:00am

(Architecture) Flash, Flame, and Finishes: Investigating Fire Damaged Architectural Finishes Room 515Stephanie Hoagland • Helen Thomas-Haney (Book and Paper) A protocol to conserve glazed paper after a water damage Room 520Céline Allain • Lucile Dessennes (Collection Care) Saving collections in an uncertain world: Context, collaboration and training Room 516 ABClaire Fry • Fiona Macalister • Christine Murray • Bethan Stanley (Emergency) Rock Art Before Natural Disasters Room 513 A/CBeatriz Haspo • Cesar Maguiña (Objects) Reverse Engineering Ancient Greek Ceramics: An Interdisciplinary Collaboration Room 710 BSanchita Balachandran • Patricia McGuiggan • Matthew Hyleck (Paintings) A study of painted animation cels, their materials and deterioration processes Room 710 AKatharina Hoeyng • Suzanna Etyemez • Joy Mazurek • Kristen McCormick • Alan Phenix (Photographic Materials) Salvaging Memories: The Recovery of Fire-Damaged Photographs and Lessons Learned in Conservation and Kindness Room 516 CDDebra Norris (Research and Technical Studies) Ensuring maximum impact for conservation science Room 511 B/EMarie-Claude Corbeil (Textiles) Foxy Underpants; or, the use of chelators, enzymes, and surfactants to remove foxing stains from linen underpants Room 511 A/DLaura Mina (Wooden Artifacts) The ABCs of a Monumental Frame: Analysis, Bronze Paint & Chelators Room 514Allison Jackson • Adeline Lutts • Carola Schueller (Electronic Media) Emulation as a Conservation Strategy for Software-Based Art Room 513 D/FBen Fino-Radin • Mark Hellar • Dragan Espenschied

10:30am

(Architecture) And now what? : Technical and ethical decision-making process regarding a Parisian 17th-century painted ceiling in the aftermath of a catastrophic fire Room 515Dominique Martos-Levif • Elsa Bourguignon • Vincent Detalle • Isabelle Pallot-Frossard • Rebecca Rivry (Book and Paper) Post-flood Development of Mass Treatments at the National Library of Florence: The Roots of Library Conservation Room 520Sheila Waters (Collection Care) Making it up as we go along: How we got it right by doing everything wrong Room 516 ABAmy Bowman • Rebecca Elder (Emergency) The Museum Flood Funding Program: the Alberta Museums Association’s Response to the 2013 Alberta Floods Room 513 A/CClaire Neily • Owen Thompson (Objects) Looking at Guilloche Work in Conservation Room 710 BBrittany Nicole Cox • David Lindow (Paintings) Using Web-Based Projects to Promote Conservation and Engage Diverse Audiences Room 710 ABrian Baade • Kristin deGhetaldi (Photographic Materials) Separation Anxiety: Kiss Your Acetate Goodbye! Room 516 CDNicole Christie • Cindy Colford (Research and Technical Studies) Colorimetric Sensor Arrays for Monitoring Pollutant Exposure of Artwork Room 511 B/EKenneth Suslick • Herant P. Khanjian • Maria LaGasse • Kristen McCormick • Michael R. Schilling (Textiles) Gelling in Theory and Practice: An Examination of Agarose Gels in Textile Conservation Room 511 A/DEmma Schmitt • Sarah Foskett (Wooden Artifacts) Loss Compensation on Furniture: Traditional vs Modern Methods and Materials Room 514Behrooz Salimnejad

11:00am

11:15am

11:30am

11:45am

12:00pm

12:30pm

2:00pm

(Architecture) Monitoring Cultural Heritage in Conflict Using Remotely Sensed Imagery: Syria  Room 515Susan Wolfinbarger (Electronic Media) Susan Kare and Her Macintosh Icons: A Co-Acquisition. Room 513 D/FBen Fino-Radin • Martina Haidvogl • Mark Hellar (Emergency) Scaling–up First Aid for Cultural Heritage during a Complex Emergency: lessons from Nepal Room 513 A/CAparna Tandon • Corine Wegener (Objects) Conservation of Joan Miró’s bronze sculptures at the Museum of Modern Art Room 516 ABMegan Randall • Roger Griffith • Lynda Zycherman (Paintings) Carlo Crivelli’s 'St. George Slaying the Dragon' at the Isabella Stewart Gardner Museum: Technique and Restoration Room 511 A/DGianfranco Pocobene • Jessica Chloros • Richard Newman (Photographic Materials) Methods for cleaning brass mats from cased photographs Room 516 CDAriane Lalande • Christophe Vischi • Chloé Lucas • John McElhone (Research and Technical Studies) Out of the rain: Uncovering artistic process in Gustave Caillebotte’s 'Paris Street; Rainy Day' Room 511 B/EKelly Keegan • John K. Delaney • Pablo Garcia (Wooden Artifacts) In Situ Chelation of Waterborne Stains from Historic Unfinished Architectural Woodwork Room 514Melissa McGrew (Book and Paper) Archives Conservation Discussion Group 2016: “Innovative Approaches to Disaster Response: Real-Life Tips and Tricks” Room 520Andrea Knowlton • Dawn Mankowski • Masashi Amano • Whitney Baker • Debra Cuoco • Yasmeen Khan • Marta O'Neill • Dan Paterson • Olivia Primanis • Andrew Robb • Daishi Yoshihara (Book and Paper) Art on Paper Discussion Group 2016: “Paper is Part of the Picture: Connoisseurship and Conservation Practice' Room 510Rachel Freeman • Cyntia Karnes • Stephanie Lussier

2:30pm

2:35pm

2:50pm

3:00pm

3:05pm

3:20pm

3:30pm

3:35pm

3:50pm

4:00pm

6:30pm

 
Wednesday, May 18
 

9:00am

10:00am

 


Twitter Feed